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  • Folk Flutes
    • Table of Contents
    • Introduction
    • “Folk” Music Opportunities for Classical Flutists
    • Types of Folk Flutes
      • Irish Flute & Irish Whistle
      • Fife
      • Bamboo Flutes (Bansuri & Dizi)
    • Differences Between Classical Playing and Traditional/Folk Playing
      • Instrument Key Naming
      • Transpositions and Notation
      • Fingering Differences
      • Breathing
      • Tonguing
      • Vibrato
      • Ornamentation
Tom Cox Music -
  • Tom’s Blog
  • Contact Tom
  • About Tom Cox
  • Folk Flutes
    • Table of Contents
    • Introduction
    • “Folk” Music Opportunities for Classical Flutists
    • Types of Folk Flutes
      • Irish Flute & Irish Whistle
      • Fife
      • Bamboo Flutes (Bansuri & Dizi)
    • Differences Between Classical Playing and Traditional/Folk Playing
      • Instrument Key Naming
      • Transpositions and Notation
      • Fingering Differences
      • Breathing
      • Tonguing
      • Vibrato
      • Ornamentation
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Vibrato

Tom Cox Music | Demystifying the Jump from Classical Flute to Folk Flutes | Differences Between Classical Playing and Traditional/Folk Playing | Vibrato

Another hot topic in the world of Irish flute and whistle is vibrato. As classical flutists, we learn that vibrato can be controlled by the diaphragm or sometimes the throat – or sometimes both. However, the prevailing method for vibrato on Irish flute and whistle is finger vibrato.

With finger vibrato, you literally “trill” your finger on the hole that is two holes away from the lowest hole you’re already covering. For example, if you’re playing a B, you’ll skip the next hole, and then “trill” your finger on the G finger hole.

Check out this great finger vibrato tutorial from Leslie Anne Harrison!

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